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Darren
    07/11/06 at 07:42 PM
  Reply with quote#61

Todd,

 

What are the chances we could get an "edit" function or maybe you can edit my posting for me and remove the offending code. I feel like such a cyber rookie.

 

Darren

Darren
    07/12/06 at 12:40 PM
  Reply with quote#62

One more bit of stark realism to ponder. I hope I'm not bumming everyone out.

 

The Purse-Seine
 
  Our sardine fishermen work at night in the dark
of the moon; daylight or moonlight
They could not tell where to spread the net,
unable to see the phosphorescence of the
shoals of fish.
They work northward from Monterey, coasting
Santa Cruz; off New Year's Point or off
Pigeon Point
The look-out man will see some lakes of milk-color
light on the sea's night-purple; he points,
and the helmsman
Turns the dark prow, the motorboat circles the
gleaming shoal and drifts out her seine-net.
They close the circle
And purse the bottom of the net, then with great
labor haul it in.

I cannot tell you
How beautiful the scene is, and a little terrible,
then, when the crowded fish
Know they are caught, and wildly beat from one wall
to the other of their closing destiny the
phosphorescent
Water to a pool of flame, each beautiful slender body
sheeted with flame, like a live rocket
A comet's tail wake of clear yellow flame; while outside
the narrowing
Floats and cordage of the net great sea-lions come up
to watch, sighing in the dark; the vast walls
of night
Stand erect to the stars.

Lately I was looking from a night mountain-top
On a wide city, the colored splendor, galaxies of light:
how could I help but recall the seine-net
Gathering the luminous fish? I cannot tell you how
beautiful the city appeared, and a little terrible.
I thought, We have geared the machines and locked all together
into inter-dependence; we have built the great cities; now
There is no escape. We have gathered vast populations incapable
of free survival, insulated
From the strong earth, each person in himself helpless, on all
dependent. The circle is closed, and the net
Is being hauled in. They hardly feel the cords drawing, yet
they shine already. The inevitable mass-disasters
Will not come in our time nor in our children's, but we
and our children
Must watch the net draw narrower, government take all
powers--or revolution, and the new government
Take more than all, add to kept bodies kept souls--or anarchy,
the mass-disasters.
These things are Progress;
Do you marvel our verse is troubled or frowning, while it keeps
its reason? Or it lets go, lets the mood flow
In the manner of the recent young men into mere hysteria,
splintered gleams, crackled laughter. But they are
quite wrong.
There is no reason for amazement: surely one always knew
that cultures decay, and life's end is death.

Robinson Jeffers

Emily
    07/12/06 at 01:27 PM
  Reply with quote#63

How beautiful... and a little terrible. 

 

Man, that's the stuff, isn't it?  Thanks, Darren

Emily
    07/21/06 at 01:41 PM
  Reply with quote#64

To go along with our Apollo and Dionysus thread...

 

Bacchus, Ralph Waldo Emerson

 

Bring me wine, but wine which never grew

In the belly of the grape,

Or grew on vine whose tap-roots, reaching through

Under the Andes to the Cape,

Suffer no savor of the earth to scape.

 

Let its grapes the morn salute

From a nocturnal root,

Which feels the acrid juice

Of Styx and Erebus;

And turns the woe of Night,

By its own craft, to a more rich delight.

 

We buy ashes for bread;

We buy diluted wine;

Give me of the true,

Whose ample leaves and tendrils curled

Among the silver hills of heaven

Draw everlasting dew;

Wine of wine,

Blood of the world,

Form of forms, and mold of statures,

That I intoxicated,

And by the draught assimilated,

May float at pleasure through all natures;

The bird-language rightly spell,

And that which roses say so well.

 

Wine that is shed

Like the torrents of the sun

Up the horizon walls,

Or like the Atlantic streams, which run

When the South Sea calls.

 

Water and bread,

Food which needs no transmuting,

Rainbow-flowering, wisdom-fruiting,

Wine which is already man, 

Food which teach and reason can.

 

Wine which Music is,

Music and wine are one,

That I, drinking this,

Shall hear far Chaos talk with me;

Kings unborn shall walk with me;

And the poor grass shall plot and plan

What it will do when it is man. 

Quickened so, will I unlock

Every crypt of every rock.

I thank the joyful juice

For all I know;

Winds of remembering

Of the ancient being blow,

And seeming-solid walls of use

Open and flow.

 

Pour, Bacchus! the remembering wine;

Retrieve the loss of men and mine!

Vine for vine be antidote,

And the grape requite the lote!

Haste to cure the old despair,

Reason in Nature's lotus drenched,

The memory of ages quenched;

Give them again to shine;

A dazzling memory revive;

Refresh the faded tints,

Recut the aged prints,

And write my old adventures with the pen

Which on the first day drew,

Upon the tablets blue,

The dancing Pleiads and eternal men.

 

 

Emily
    07/21/06 at 03:52 PM
  Reply with quote#65

Whitman reading America!!!

 

http://www.whitmanarchive.org/audio/

Emily
    08/03/06 at 06:53 PM
  Reply with quote#66

I love poetry about poetry...

The Lightest Touch, David Whyte
from Everything is Waiting for You

Good poetry begins with
the lightest touch,
a breeze arriving from nowhere,
a whispered healing arrival,
a word in your ear,
a settling into things,
then like a hand in the dark
it arrests the whole body,
steeling you for revelation.

In the silence that follows
a great line
you can feel Lazarus
deep inside
even the laziest, most deathly afraid
part of you,
lift up his hands and walk toward the light.

~*~*~*~*~*~

Incidentally, David Whyte also wrote a book called The Heart Aroused: Poetry and the Preservation of the Soul in Corporate America. I haven’t read it yet, but I have it on hold at the library - sounds interesting. I guess this is one way for a poet to make a living these days.

(Speaking of making a living, does anyone know if it's wrong to post published poems on a forum like this? I know much of the older stuff is probably public domain, but newer stuff like this is likely trickier. I plugged his book, maybe that's compensation enough )
hawkeye mike
    08/05/06 at 10:04 AM
  Reply with quote#67

Not very abstract/challenging for the crew on the board, but I thought it made sense to post it anyway as patriotism is something Todd spoke about in some blogs.  I find my patriotism hard to set aside, and yet, it is very difficult to be proud of what america stands for at this very moment. 

 

"Hands All Over" - Chris Cornell 1989

 

Hands all over the Eastern border;  You know what? I think we're falling from composure.

Hands all over Western culturer; Ruffling feathers and turning eagles into vultures.

Got my arms around my baby brother; Put your hands away. Your gonna kill your mother, and I love her.

Hands all over the coastal waters.  The crew men thank her then lay down their oily blanket.


Hands all over the inland forest.  In a striking motion trees fall down like dying soldiers.

Hands all over the peasants daughter. She's our bride.  She'll never make it out alive.

 

Hands all over words I utter; Change them into what you want to like balls of clay.

 

Put your hands away, your gonna kill your mother. 

 

And I love her

Disenchanted Rhapsody
    08/05/06 at 10:29 AM
  Reply with quote#68

Haunting poem by a great Old Master, Alfred Lord Tennyson:

 

(sorry, it's a wee bit long, but ohhh so worth the read!)

 

The Lady of Shalott (1844)
 
Part I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And through the field the road run by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
 
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Through the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
 
By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
 
Only reapers, reaping early,
In among the bearded barley
Hear a song that echoes cheerly
From the river winding clearly;
Down to tower'd Camelot;
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers, " 'Tis the fairy
The Lady of Shalott."
 
Part II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
 
And moving through a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot;
There the river eddy whirls,
And there the surly village churls,
And the red cloaks of market girls
Pass onward from Shalott.
 
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad
Goes by to tower'd Camelot;
And sometimes through the mirror blue
The knights come riding two and two.
She hath no loyal Knight and true,
The Lady of Shalott.
 
But in her web she still delights
To weave the mirror's magic sights,
For often through the silent nights
A funeral, with plumes and lights
And music, went to Camelot;
Or when the Moon was overhead,
Came two young lovers lately wed.
"I am half sick of shadows," said
The Lady of Shalott.
 
Part III
A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
 
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armor rung
Beside remote Shalott.
 
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, burning bright,
Moves over still Shalott.
 
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.
 
She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.
 
Part IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining.
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And around about the prow she wrote
The Lady of Shalott.
  
And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance --
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
 
Lying, robed in snowy white
That loosely flew to left and right --
The leaves upon her falling light --
Thro' the noises of the night,
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
 
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darkened wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
 
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and Burgher, Lord and Dame,
And around the prow they read her name,
The Lady of Shalott.
 
Who is this? And what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the Knights at Camelot;
But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."

Darren
    08/05/06 at 01:16 PM
  Reply with quote#69

Here is one from Jeffers that is not so dark.

 

The Beauty Of Things

To feel and speak the astonishing beauty of things—earth, stone and water,
Beast, man and woman, sun, moon and stars—
The blood-shot beauty of human nature, its thoughts, frenzies and passions,
And unhuman nature its towering reality—
For man's half dream; man, you might say, is nature dreaming, but rock
And water and sky are constant—to feel
Greatly, and understand greatly, and express greatly, the natural
Beauty, is the sole business of poetry.
The rest's diversion: those holy or noble sentiments, the intricate ideas,

The love, lust, longing: reasons, but not the reason

Emily
    08/06/06 at 11:05 PM
  Reply with quote#70

poetry of the soul...

The soul, like the moon
Lalla


The soul, like the moon,
is new, and always new again.

And I have seen the ocean
continuously creating.

Since I scoured my mind
and my body, I too, Lalla,
am new, each moment new.

My teacher told me one thing,
Live in the soul.

When that was so,
I began to go naked,
and dance.


*~*~*~*~*~*

This one's mine ...

Every now and again, a moment creeps
into my restless mind
and makes me stop

and notice with my eyes,
my body, and my soul
that I am here.

I taste it on my tongue.
I feel it on my skin.
I hear it in the beating of my heart.

No windshield to protect me
from the rain or the bugs,
to frame my view.

Just the crisp air on my face.
The cool breath in my lungs.
The pulse of the earth

reaching for me.

eph, 7/9/06
Cindy
    08/16/06 at 04:24 PM
  Reply with quote#71

Ok, my first attempt at writing a poem.  My donut for today...

p.s. Emily made me do this!

 

First Love

 

First face I see as I enter

We were one, still one.

She comes to me in solitude;

soft voice and reflection dance

between the meaningless tasks of temporality.

Cold roses adorn the grave

yet her scent still lingers,

her goodness remains.

In the end she taught me the search for truth

surpasses everything.

Last face I see as I leave

And we are one.

Emily
    08/17/06 at 12:06 AM
  Reply with quote#72

Just say that same thing on the dedication page of your first book of poetry.

And a tasty donut it is.  Cindy's been holding out on us, ya'll...


sean morris
    08/17/06 at 12:38 PM
  Reply with quote#73

I think you should give this guy a go.

Persian Poet and Sufi mystic
Mowlana Jalaluddin Rumi.

As the essence that is mine to the all pervading sea,
Turneth, all my atoms shine in sublime resplendency.
On the road of Love, behold! like a candle I do blaze,
That one moment may enfold all the moments of my days.

Its a must for you wedding stationary girls!

Mari
    08/27/06 at 03:38 PM
  Reply with quote#74

Thanks for posting your poem Cindy, my mother is also passed away, and you actually posted that on my birthday, which is always a hard day for me for that reason (My mom always said "Birthdays are for mothers") Anyway it was nice to read your poem that day, thanks for sharing it!

Lynne
    09/01/06 at 02:19 PM
  Reply with quote#75

This is for me an inspirational native American poem, one verse of many. What exactly does beauty refer to? Doesn't beauty redefine itself as we change and get older?

 

Navajo Night Chant

 

Tseghihi!

House made of the dawn

House made of the evening light

House made of  dark cloud

House made of male rain

House made of female rain

House made of pollen

House made of grasshoppers

Dark cloud is at the door

The trail out of it is dark cloud

The zig-zag lightning stands high up on it

Male divinity!

Your offering I make

I have prepared a smoke for you

Restore my feet for me

Restore my legs for me

Restore my body for me

Restore my voice for me

This very day take out your spell for me

Your spell remove for me

You have taken it far away for me

Far off it has gone.

 

Happily I recover

Happily my body becomes cool

Happily I go into life

My body feeling cool, may I walk

No longer sore, may I walk

Impervious to pain, may I walk

With lively feelings may I walk

As it used to be long ago, may I walk

Happily may I walk

 

Happily with abundant dark clouds, may I walk

Happily with abundant showers, may I walk

Happily with abundant plants, may I walk

Happily on a trail of pollen, may I walk

Happily may I walk

Being as it used to be long ago, may I walk

 

May it be beautiful before me

May it be beautiful behind me

May it be beautiful below me

May it be beautiful above me

May it be beautiful all around me

In beauty it is finished

In beauty it is finished.

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